The Segovia Collection
Product Details
Editorial Reviews
Amazon.com
The vastly improved sonics which the Deutsche Grammophon production team achieves with its 24/96 remastering of the guitarist's 1952-1969 mono and stereo performances for Decca allow listeners to finally experience the rich tonal palette and intimate nature of Segovia's performance art in a manner commensurate with the fidelity of the original LP releases (minus the edgy digital glare and graininess of the MCA reissues). What emerges is a portrait of the artist as a lightning rod for great composers, such as Manuel Ponce, Federico Torroba, Mario Castelnuovo-Tedesco, Isaac Albéniz, and Enrique Granados, all of whom enriched the 20th-century repertoire of solo and chamber works by custom-crafting works for this innovative guitarist (Segovia's interpretation of Joaquín Rodrigo's "Fandango" is a paradigm for his role in popularizing the modern Spanish idiom). Likewise, Segovias's work as an arranger in recasting baroque and medieval works for modern guitar, as well as his deep affection for 19th-century masters of the instrument such as Dionisio Aguado and Fernando Sor, shines forth on discs two and three. However, it is Segovia's romantic touch in transposing Bach's Partitas for Solo Violin--as on his virtuoso turns on the "Chaconne in D Minor"--that best illustrate his poetic conception of the instrument. --Chip Stern
Customer Reviews
Great Collection
I didn't realize what I was getting into when I tried out this collection of Segovia. I wanted to learn about the man and his music, and, WOW, what a bargain this collection turned out to be!
From Solos to Concertina's, there is so much music here that it will take me months to digest it all. I am very impressed with the quality of the mastering, Deutsch Grammophon did a wonderfull job at preserving the soundstage of the recordings, as well as the fidelity. Amazing clarity!
Components used for listening: TAD-60 Amplifier, Adcom GCD-700 CD player, Adcom GFP-710 Preamplifier, Altec 604-8G's in 620B Cabinets.
Above All Others
John Williams, David Russell, Christopher Parkening, Julian Bream, et. al. all owe a great deal to this now departed giant. If you own ANY classical guitar recordings, you should purchase this collection. It's not only the finest remastering available, but an equisitely fine selection of Segovia's contribution to the genre and the art.
The Great Master, of Masters
Andrés Segovia was the great master of classical guitar. This set show us 400 years of music taken for the guitar, he was the first in give the guitar place like a cult instrument in 20th century through his works invaluable transcriptions of several instruments (cello, lute, etc.) of composers like Bach, Dowland, Manuel M. Ponce, Fernando Sor, Tárrega, etc.
The scope from Segovia has leaved footsteps in the great world of classical music, for his research and investigations about it. In this set we can listen pieces like "six pavanas" from the ending Age Middle of Luis Milán, and begginig of Rennasaince like Dowland's songs togheter Roncali Ludovico between others on CD 3.
Also show us the great spanish composer Enrique Granados, Torroba, Sor, icons of guitar music. I Basically bought this cd for "Pavane" 1-6 and that better found it in this GREAT SET. If you're a lover of Classical Music, or classical guitar this one of the greatest set box ever made in any genre!!!.
Andrés Segovia, Marquis of Salobreia, was born near Jaen, Granada, Spain. He became a guitarist against the double opposition of his parents. First, they opposed his learning the guitar and got him cello and piano teachers instead. When he persisted in teaching himself guitar, they opposed his becoming a musician. He sought a guitar teacher at the Granada Institute of Music when he studied there, but found none, so continued learning the instrument on his own. He made his debut at the Centro Artística in Granada at the age of 15. He played so skillfully that he was urged to become a professional soloist. He played in Madrid in 1912, at the Paris Conservatory in 1915, and in Barcelona in 1916, and made a wildly successful tour of South America in 1919. He made his formal debut in Paris on April 7, 1924, in a program which included a new work written for him by Albert Roussel, named Segovia. It was the first of many works which were written for him by distinguished composers, enriching the instrument's repertory as Segovia had elevated its artistic potential. His U.S. debut was at Town Hall, New York, on January 8, 1928.
Being self-taught, his technique was unique. It was, in fact, superior to that which was being taught at the time, and extended the flexibility and expressive possibilities of the instrument. The main difference was in the method of using the right hand for strumming and picking the strings: Segovia's method paid much attention to the means of attack: whether hard parts of the fingers, fleshy parts, or the nails were used; other subtleties that affected the dynamics of the instrument; and an economy of motion that allowed longer and more sustained playing. There were classical guitarists before him, and distinguished ones even when he appeared, but it was not an instrument that was regarded as a serious vehicle for classical music. Segovia personally changed that, and not by accident. No doubt affected by his parents' attitude toward his chosen career, he had a driving desire to make it so. He wrote numerous transcriptions of older music for lute and for the Spanish vihuela. He transcribed music of Bach, Haydn, Mozart, Chopin, Handel, and others. He commissioned works by Castelnuovo-Tedesco (notably the great suite Platero and I), Falla, Turina, Tansman, Villa-Lobos, Torroba, Ponce, and Rodrigo, whose Fantasia para un gentilhombre was written for him. His reinstatement of the guitar as a solo instrument was sealed by his becoming one of the great teachers of music history. He established guitar schools or courses at the Accademia Musicale Chigiana, Siena, Santiago de Compostela, and the University of California in Berkeley. His students included Alirio Diaz, Oscar Ghilia, and John Williams.
Segovia become one of the great names in classical music, whose mere name was enough to sell out houses worldwide. He received numerous awards and honors during his lifetime, including the Grand Cross of Isabela and Alfonso, the Gold Medal of the Royal Philharmonic Society of London, and many honorary degrees. The house where he was born had a commemorative plaque attached to it in 1969 proclaiming him the "leading son of the city." King Juan Carlos of Spain ennobled him as the Marquis of Salobreia in 1981, and in the same year a Segovia International Guitar Competition was established in his honor. He continued to give recitals and concerts until an advanced age, and had the rare opportunity, in 1984, of playing at a gala concert honoring the 75th anniversary of professional debut.
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