Bizet: Symphony No. 1; Offenbach: Gaite Parisienne
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Customer Reviews
BIZET's Best Symphony...
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This surely must be the finest realization of Bizet's popular Symphony currently available. Lenny and the NYPO bring a robust Beethovenian reading to the work--which can stand a little masculine vigor--(as opposed to feminine lightness). The piece is a true joy.
The less said about the Offenbach and Suppé, the better: the works are absurdly cartoonishly bumptious; personally, I would never listen to such cheesy stuff.
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A collector item!
Leonard Bernstein performed one of the most propulsive and joyful versions of this enjoyable Bizet ? s work. Filled with that spring rush and engaging magnetism, until now surpassed by the insuperable version of Thomas Beecham in the middle Fifties.
The first composer who comes to my mind is Schubert. This innocent and warmth atmosphere of the first Movement is followed by a lovable Adagio of strong Oriental hues. The new York Philharmonic when is inspired is simply superb. And fortunately, that recording session was inspired.
In spite of the fact there are better options in what Arlesiana and Gaite Parisien concern, this is every recommended album that proves us the magnificence of one of the most remarkable Orchestras of the last Century, although it should be noticed pitifully nowadays I cannot say the same. From the Seventies, with the only exception of the Angeles Philharmonic, the status level of all the others American Orchestras have experienced an awful downfall. This is a painful statement, but sadly certain.
That `s why this album acquires a double relevance, you will compare by yourself the slender difference, the profound conveyance of these Past conductors literally vanished. Bernstein, Leinsdorff and Tilson Thomas were the last descendents. Nevertheless it `s good to know how Essa Pekka Salonen has made a titanic and eulogizing labor in front of the Angeles Philharmonic, which still conserves the expansive sound bequeathed by the unforgettable and superb conductor: Carlo Maria Giulini.
Joyful and infectious Bernstein !
If you've been on a consistent diet of "heavy" works lately, the Bizet Symphony just might offer the best chaser. Its winsome, light, bracing qualities can produce a sigh and a warm smile. And the performance that most immediately and best puts one in the right mood is Bernstein's. From the first to the last emphatic chord, his joie de vivre approach is in evidence. It is there in the quieter as well as the boisterous moments, and for me, makes this the interpretation of choice, despite some pretty stiff competition from the likes of Beecham, Munch, Ansermet and Stokowski. After Bernstein, I prefer Munch and Stokowski, however, the latter's performance on cd does not sound as good as his same performance on cassette or lp. Beecham, of course, has been highly praised, and he does offer a very well played account, but I find he does not convey consistently the kind of elan Bernstein does. Aside from the symphony, Bernstein gives us exciting and colorful renditions of Offenbach's Gaite Parisienne and Orpheus in the Underworld and Suppe's Beautiful Galatea Overture. A fine investment overall for your musical "sweet tooth".
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