Product Details
Amazon Sales Rank: #7123 in MusicReleased on: 2008-09-30Number of discs: 1
Editorial Reviews
Performing Songwriter Magazine, Lee Zimmerman, December 2008
The premise seems bizarre at best. A renowned classical composer unfamiliar with Bob Dylan's music studies his lyrics and is subsequently inspired to re-imagine them as a classical concerto, recasting the works with new melodies wholly divorced from Dylan's original compositions. That's the bewildering back story behind John Corigliano's Mr. Tambourine Man, a song cycle that expropriates Dylan's discography - seven songs in all - to underscore a journey of emotion and awareness. Sung by acclaimed soprano Hila Plitmann with JoAnn Falletta conducting the Buffalo Philharmonic Orchestra, the music meanders from the idyllic sentiments of "Mr. Tambourine Man" to the call of "Blowin' in the Wind" and concludes with the uplifting optimism of "Forever Young".
AllMusic.com, Stephen Eddins, October 2008
When Pulitzer-winning composer John Corigliano says he never listened to the songs of Bob Dylan, it's a shocking admission, particularly for a New York musician who was in his 20s in the '60s. One wonders what he would say if another artist admitted never having heard Aaron Copland. Regardless, without even hearing the tunes of Dylan's songs, Corigliano used some of the songwriter's lyrics -- mostly from the '60s protest period -- as poems for his own music. The result was an Americana song suite with political overtones called "Mr. Tambourine Man," first for soprano with piano and now for amplified soprano with orchestra. There are aspects of the cycle that feel almost comically arch, if one has any experience of Dylan's own gritty folk-rock. The bizarre musical-theater moments in the song "Mr. Tambourine Man" are cringe-worthy, as are the operatic outbursts in "Masters of War." But there are some surprisingly effective episodes in Corigliano's suite, thanks to his gift for long, arching melody and dramatic orchestrations. The Copland-esque treatment of "Clothes Line" is lovely, while the pastoral, ruminative setting of "Chimes of Freedom" has a grave, almost Shakespearean theatricality. Corigliano was lucky to find an ideal singer for the cycle: the Jerusalem-born Hila Plitmann, who pairs high technique with intimate phrasing. The disc also features "Three Hallucinations," a suite from Corigliano's score to the 1980 film "Altered States." If aptly nightmarish with the film, the music sounds slightly hokey on its own; still, the piece gets a high-impact performance.
AllMusic.com, Stephen Eddins, November 2008
Mr. Tambourine Man, John Corigliano's 35-minute song cycle for amplified soprano and orchestra, had a unique genesis. Corigliano took texts from songs by Bob Dylan, and treated them purely as poetry, without using or referring to Dylan's music. He professes not to even know the Dylan originals, but frankly, it's a little hard to believe that anyone who didn't spend the 1960s in an isolation chamber could have avoided hearing "Blowin' in the Wind" somewhere along the line. Corigliano's experiment pays off because the texts are indeed terrific, and his thoughtful and evocative settings are persuasive interpretations of Dylan's lyrics. His music makes no reference to the folk tradition in which Dylan writes. These are clearly art songs with an entirely different set of aesthetic parameters, but particularly in the more reflective movements, Corigliano's settings have a haunting melancholy that evokes a sensibility of American populism not too far from Dylan's in its depth of feeling and emotional impact. He gives "Forever Young" a strophic setting that's wonderfully melodically memorable; its simplicity and transparency make it achingly poignant. There's a homespun Ivesian flavor to Corigliano's wistful and mysterious setting of "Clothes Line." "Blowin' in the Wind," perhaps the hardest sell because Dylan's original is so distinctive, succeeds because it brings a new twist to the text; it quietly begins with a sense of smoldering anger and grows in intensity as the cumulative power of the unanswerable questions builds, until it erupts in an outcry of full-blown rage before subsiding into resigned sadness. Hila Plitmann's remarkably pure and expressive voice and emotionally direct and unmannered performance make her the ideal interpreter for this material. This is certainly one of the strongest new vocal compositions and extraordinary performances to appear on CD in a while. The CD also includes Three Hallucinations, a suite the composer made from his score for the 1980 Ken Russell film Altered States. The eclectic, skittish music is in fact hallucinatory, full of eccentric juxtapositions, distorted and distended musical gestures, and appropriately random weirdness. Corigliano is a fabulous orchestrator, and his colorful score, although it's definitely "modern music," is approachable and audience-friendly, especially with the subject matter kept in mind. JoAnn Falletta leads the Buffalo Philharmonic Orchestra in accomplished performances that span the technical and expressive spectrum, from the delicacy and finesse of the Dylan songs to the over-the-top wildness of Three Hallucinations. Naxos' sound is immaculate, with great clarity and balance, as well as a convincing sense of depth.
Customer Reviews
It should have been AMY !
I've heard most of these pieces performed previously, live at the Cabrillo Festival in Santa Cruz, CA. There, Amy Burton, a soprano who regularly appears with the Metropolitan Opera, was the featured vocalist on Corigliano's TAMBOURINE MAN. I liked Amy's voice and interpretation much better than the woman on this recording. This woman seems much too percussive, overly dramatic, and quite pushy with her tone; almost as if she was singing a Torchy, Blues song down in New Orleans. Amy,on the other hand, is much more musical, tender, and seductive. I guess it boils down to ones likes or dislikes. In any event, I have no problem whatsoever with the instrumental portions of this recording. I really like the music of America's Dean of Composers, John Corigliano. I would recommend this CD to anyone who cares for Serious Contemporaneous Classical music, especially that of Mr. Corigliano. Gordon Wilson, Ariz.
OMG
If I had never heard of Bob Dylan, I would have merely found this song cycle cliched and overwrought. But to know the original songs and hear this is like watching a grotesque accident, brilliance transformed into bathos.
To borrow from Monty Python. "and now for something completely different"!
If you haven't read the information before, the major part of this CD (and it's featured composition) is a series of seven of Bob Dylan's lyrics (here called "poems", though Dylan never meant them as such) set to a musical score by composer Corigliano, who - surprisingly - says he never heard sung before. (Yeesh, is there ANYONE in the world who has NEVER heard ANYONE sing "Blowin' in The Wind"?? Really??)
In addition to "BitW" there are other popular Dylan compositions ("Mr. Tambourine Man", "All Along The Watchtower") as well as less familiar ones ("Clothes Line", "Chimes of Freedom").
The concept is interesting, that's for sure. I did like the composer's musical settings, but had a hard time with the vocals sung by "Amplified Soprano", Hila Plitmann. In fact, I had to refer to the lyric booklet a few times to even guess which song she was singing. I'll admit I'm not a big fan of sopranos, and I listen mostly to folk, jazz and EARLY pop music, as well as film scores, but I wanted to give this album a chance. It lost my attention after one playing and I can't see playing this piece often.
The last third of the disc (15 minutes worth) was based on the composers score for the film "Alterted States" and I found this much more interesting, and will certainly return to those tracks again.
Certainly Naxos low retail price makes this a CD you can try and not break the bank. Amazon has "samples" of the tracks to hear so you can get the idea as to whether this is something you want to hear more of. And I'm certainly glad that Naxos recorded these pieces - as they have done with many "overlooked" classical compositions. It should be documents and I'm sure Dylan completists will want this in their collection.
Steve Ramm
"Anything Phonographic"
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